I first learned about Beethoven through Peanuts and Huntley/Brinkley. I was awake in the night last night, and thought of this wonderful video – I first saw it 6 years ago, and posted it then at Christmastime. It has nothing to do with Christmas, but that doesn’t matter. We could all use a little joy […]
It is with great pleasure we announce the arrival of a new Harvey table saw to augment the array of tools in the Ulmarra shed. Definitely ‘up scaling’ here….. a thing of beauty as well as performance. Reviews suggest that the Harvey HW110LGE table saw represents very good value for money.
The necessary research and leg work was done by club members Neil Cryer and Steve Dodd. Neil has a Laguna at home and Steve has a Harvey. Both are experienced and talented woodworkers regularly using their table saws particularly for box making. They both agreed that the Harvey ticks all the boxes (and makes them!) for the price range. So, Neil organised to purchase the Harvey for the CVWA.
It’s very accurate, quiet, with a wonderful big cast iron table top and the fence glides and locks like a dream. The 3hp motor means it has lots of grunt. It weighs a ton but Neil and Steve fitted a mobile base so that it can be moved around easily. With a 250mm diameter blade rotating at 4300rpm, a ripping capacity of 750mm (with fence attached) and a maximum cutting height of 75mm it should be able to handle most jobs.
Neil and Steve spent some shed hours doing the assembly and finishing touches of fine tuning the fence (see photo). After taking measurements to make a zero tolerance insert, Steve used Boeshield T-9 to wax and protect the top.
It was agreed that ‘kid gloves’ and a metal detector would be close by at all times. Given that a number of newer members are interested in box making the new table saw should see a bit of use.
During this year’s AGM, Long Service Awards were presented to two members for distinguished long service.
Ron Moore joined the club (then the Northern Rivers Woodworkers Association) in 2005 after moving to Grafton from Bowral in the Southern Highlands. In 2012, he stood for President of the Club and was duly elected. He said at the time that he decided to stand because he had gained a lot from the Club, and it was time to pay something back. He was President for 3 years – 2012 through 2015. He was responsible for leading the Club to a sound financial footing. He instigated the CVWA involvement in the Bunnings BBQ program, which greatly increased the Club’s revenue. Further, the Bunnings BBQ served to increase the Club’s exposure to the public, to increase membership, and also to provide an extra social outing for Club members.
Ron’s woodwork covers the broad spectrum of skills, from earrings to tables, both new work and restorations. However, he is best known for his box making – both band-sawn and lidded boxes. His work is distinguished by his original and innovative designs, attention to detail and for superb finishing. Ron’s work has been exhibited and sold though galleries around Australia.
Ron has always found time to help others and to share his knowledge. He has lead many skill building workshops for Club members, and has always been generous with his time and knowledge.
Ron was also instrumental in establishing the Club’s first dedicated workshop at Hoof St, Grafton, and served as Shed Manager and coordinator.
Roy Ellery also joined the Club in 2005, and has achieved the milestone of 15 years service with the Club. Roy settled in Iluka after leaving Victoria. Roy is the current CVWA President, having served as President in 2015-16, and from 2017 to 2020.
Roy is renowned as a turner and carver. His work has been published in National and major US woodworking publications. He is best known for his thin walled vessels in Jacaranda, many of them finely pierced and coloured of textured. His carved ‘Log Books’ are something special and an article featuring his work was published in Fine Woodworking magazine. He has also received numerous awards for his work, within the Club and in open competitions.
Like Ron, Roy is also very generous with his time and knowledge. Roy is always more than happy to explain how a piece was made and to pass on his skills.
Roy’s output is prolific and wide ranging. He has been a major contribution to the Jacaranda Festival, as an exhibitor, a demonstrator and a volunteer.
The CVWA are extremely fortunate to have had the benefit of both Ron and Roy as members – we are all better for their contributions.
CVWA member Dick White has been spending some time in the shed during COVID restrictions. He recently finished a doll’s house for one of his granddaughters – see photos. Now working on a truck for his grandson. Well done Dick – a ripper of a doll’s house by CVWA member Dick White.
This is a proper Australian Dolls House. Does it have a redback?
The Clarence Valley Woodies website has been upgraded. We now have our very own domain – clarencevalleywoodies.com. This does a few things for us – including the ability to add more features, like videos! Update your links now. (By the way, the old address will also continue to work)
Colin Lang, aided and abetted by Roy Ellery, have produced a couple of videos. One is a video tour of our Ulmarra Shed, the other is a brief description and history of the CVWA by Colin.
The videos have now been incorporated into the CVWA website.
Inspired by Alan Bishop’s post on the CVWA web site ‘Cyclone dust collection for your vacuum’ (May 14, 2020) I embarked on a similar journey. For some time, I have had a commercial 2hp dust extraction system (with pleated filter) plumbed to my lathe and linisher. Emptying the dust bag was a minor hassle and once the dust bag got to about one third capacity there was a reduction in air flow. Alan’s article got me thinking about adding a cyclone system.
The cyclones similar to that which Alan purchased for his workshop vacuum have inlets and outlets around 50mm diameter. All my existing plumbing was 90mm or 100mm diameter and I did not want to reduce to 50mm and adapt back to 100mm. It is possible to purchase cyclones (Oneida) out of the US with 100mm inlets and outlets but they are not cheap. Larger cyclone systems (Hare & Forbes; Carbatec) were not an option because of limited space and cost. So, I decided to build one from scratch.
I purchased a 60L drum with a sealable, but easily removable, lid and then plumbed in a cyclone system (see photo). These heavy-duty plastic drums are available in 60L, 160L and 220L capacities. I would have preferred a 160L drum but could not fit it into the space available.
For the inlets and outlet I used 90mm PVC pipe fittings. The 90mm outlet pipe has a 90 to 100mm adaptor that connects to the 100mm flexible dust hose attached to the commercial 2hp dust collector.
Inside the drum the inlet pipe has a 90o bend directed at the side wall of the drum to create a cyclone (see photo). The outlet pipe needs to be located in the vortex (middle). Blast gates at the lathe and on the inlet from the linisher (see photo) allow isolation of ducting and machines.
After assembling the system I did a ‘before and after’ weight test similar to that done by Alan Bishop. I collected and weighed 2kg of dust and shavings, then put it into the inlet pipe at the lathe. I then weighed the contents of the drum. My home-built effort captured 99.1% of the dust/chips/shavings. This compared favourably with Alan’s system removing 99.7%.
The system has now been in use for a few weeks and I am very happy with how it works. A search of YouTube or Pinterest shows that there are many variations for home made cyclone dust separators and one of these may suit your situation.
Lost Arts Press is a small independent USA based publishing house that specialises in publishing books about woodwork. Some of their titles are new, some are reprints of older books or magazine articles. They are mostly USA based, but many of the books are from other countries – UK, France even Latvia!
The books are stocked in Australia by Lie-Neilson Australia and by Carbatec. I have a couple of Lost Arts Press books – they are well made, usually with cloth bindings and quality paper. They are also well written and well designed.
Lost Arts Press is the brainchild of Christopher Schwartz, woodworker, teacher, journalist, author and former editor of Popular Woodworking Magazine. He is driven by his personal commitment to what he calls ‘Amercian Anarchy’ – and it doesn’t involve bombs and revolution.
Lost Arts Press have released the book ‘The Anarchist’s Workbench’ as a free download in .pdf format – which means that you can read the book on your computer, your tablet device or even your smart phone. Or you can print the book from your computer to your home printer – although at 316 pages, it will chew through a bit of paper and ink!
I haven’t read all of the book yet, but I have enjoyed what I have read so far. Chris Schwartz begins The Anarchist’s Workbench with a bit of history of his experiences with work benches and a bit about his personal approach to woodworking and life in general. He describes the bench that is the distillation of his experience with work benches, and then he describes the process of making the Anarchist’s Workbench. The book also has sections on historical work benches, bench hardware, fixtures and fittings – even using a bench with no vices!
Workbenches are a very personal tool. Some folks are workbench obsessed, and want the best ever workbench – they can turn their benches in to works of art, making them out of exotic timbers, fitted with exotic hardware and costing a mint. Some woodworkers use an old door on trestles as their workbench – I did for years. There are as many different points of view on what makes the ideal workbench as there are opinions on the ideal bench hardware.
The Anarchist’s Workbench is designed to be affordable, practical and highly effective, using construction timber to make the bench top and structure. And I’m sure it works very well. The book is written for readers from the USA, but the information and advice can be applied to Australian woodworkers.
The book also reflects the authors interest in historical benches and woodworking methods – that’s OK too. The reader can take or leave the advice, and make a bench to suit themselves.
For what its worth, my own bench (pictured above and below) was made mostly of oregon that was pulled out of a verandah and deck of our house at the time, as well as other odd timbers – recycled bridge timbers and even some treated pine 190 x 45 that we had lying around. I used low cost vices, and fitted them out with hardwood faces. At the back of my mind was the idea that I could always build another one if my bench disappointed. It may not be perfect, but I’m not disappointed with it, and I have no plans to replace or upgrade it.
If you are interested in workbenches, or you secretly want the coolest workshop, or you desperately need a bench of your own, down load the free book and start reading. Once you have read the book, sketch up the bench you want to work with, and start building. How hard can it be?
To download the book, click here and follow the links…
For some time now, I have wanted to make a chair with a saddled seat. Over time, I bought a few tools that might come in handy. A week or three ago, a friend of a friend asked me to make a couple of bar stools with saddled seats. Of course I could do it – how hard could it be?
It turns out that its not that hard, or time consuming… And it gave me an excuse to put a few tools to work in earnest…
The AEG Super Clamp
I have used the Triton equivalent – borrowed during the Jacaranda show while I was demonstrating. The AEG is probably easier to use, and rock solid. The controls allow unlocking with out the risk of getting clobbered in the shins by the foot pedal.
To hold the seats while I hollowed them out, I screwed a block onto the back of each seat, and clamped the bock in the jaws. Worked well!
This was the first time I used the beast. It works well, removes wood quickly, and only has a few vices. Beware ‘climb cutting’, where the cut is with the cut of the blade – in a split second, the blade can grab, dig in, create a great divot, and, if you aren’t careful, take a divot out of you. That said, cutting against the flow (think of cutting with a router – the work moves on to the teeth), the tool is quite controllable, cuts quickly and quite smoothly on wide flat curves like the chair seat.
On the down side, the thing chucks shavings and dust all over the place – best used outside. Even so, Su complained of shavings all over the vegetables!
This tool was something of a revelation. I bought it a few years ago – I saw it one in Carbatec, and wasn’t expensive, so I bought it to hollow out chair seats and maybe bowls. It sat unused until this week. The edge was pretty basic, especially the inside bevel. Wet and dry around a suitable scrap worked to get the edge of the inside bevel OK, then a lick on the back with the stones, and it was sharp enough.
I had kind of expected it to work like a draw knife, but it is quite different. Instead of slicing off the waste, it shaves the surface – making tightly curled shavings. It worked well, and dressed up the rough cut surface left after the Arbotech. It did a good job of shaping the seat.
The Chairmaker’s Plane
This little HNT Gordon plane has curved bottom – curved in two axis. It is a little tricky to use – the body of the blade has to be held at the correct angle to cut, but it worked really well. One of the seats had some pretty wild grain, but the little plane didn’t care – I got no tear-out to speak of.
Like all Terry Gordon planes, this was good to go straight out of the box. The blade held its edge, and was easy to sharpen as needed.
Two stools, ready for finish… These turned out well – happy with that.
Coldstream Gallery in Ulmarra have announced that they have reopened to visitors – although with reduced hours. Meanwhile, check the video that Coldstream Gallery posted earlier this month…
While we are here, check out Coldstream Gallery’s new website, with some of our members work in their on-line store – click here.
Meanwhile, Ferry Park Gallery at Maclean has also reopened for business. Ferry Park is open from 9:00am to 3:00pm daily. Although business is quiet, partly due to the Covid, but also the dislocation of the new highway, but numbers are reasonable and should pick up once travel to Queensland resumes.
Bellingen Woodcraft Gallery is also set to reopen soon. The new owner, Ian Horncastle is set to reopen on July 1 – more on the Woodcraft Gallery later….
Recently three CVWA members (Neil Cryer, Terry Hulm and Bob Aitken) each purchased an Axminster Eccentric Spiralling Chuck. This chuck, made in Axminster UK using CNC techniques, is typically used for a variety of eccentric geometric patterns and spiralling stems. Here Bob, Neil and Terry describe the chuck, show some or their initial work and comment about their use of the chuck.
The Axminster chuck (Photo. 1) consists of a faceplate ring which can be held by a conventional four-jaw (dovetail) chuck, a central main plate which can be adjusted to create different amounts of offset, and a small faceplate that can be indexed to 12 positions. The 12 indexing positions on the small faceplate can be seen in Photo. 1. The small faceplate is attached to the workpiece by three screws.
For offset positions there are four settings clockwise and four anticlockwise. By loosening the counter sunk machine screws on the main plate, the plate can be rotated and set to any of the threaded holes on the faceplate ring. The extent of offsets (centres) achievable are shown on a workpiece in Photo. 2. The centre is shifted by approximately 4, 7, 11 and 14mm as the main plate is moved successively from one hole to the next. These eight offset positions combined with the 12 indexing positions on the small faceplate allow for the creation of a large number of geometric patterns.
Bob’s comments and workpieces
Prior to purchasing this chuck I had not owned an offset chuck. So initially, I explored its offset capabilities and turned a few offset items (see photos) leaving Neil and Terry to explore the pattern and inlay possibilities of combining offset and indexing.
Although the instructions mention gluing the indexed faceplate to the workpiece, I used screws that imbedded at least 15 to 20mm into the workpiece as I considered this safer. Consequently, this means that 20mm is sacrificed from bottom of the workpiece. An alternative I used for one workpiece was to attach the workpiece with wood glue to a sacrificial piece of timber screwed to the faceplate.
The Axminster eccentric spiralling chuck is probably best used for small to medium sized workpieces. The size of the workpiece is limited by the ability of your lathe to handle imbalance. However, my first item was a large (300mm diameter) offset bowl. Because of imbalance I had to turn this bowl at a very low lathe speed. Even for relatively smaller items such as the offset bud vases shown a low lathe speed was needed.
Although I have yet to do any geometric patterns, the chuck, in my view, represents good value for money. On the downside I would have preferred the indexed faceplate to be of steel rather than aluminium as it is easily scratched and marked. Instructions provided with the chuck were not particularly helpful.
Neil’s comments and workpiece
This first trial using an eccentric chuck took quite a while as the variations available take time to digest. It’s a fiddle to keep taking the chuck off the lathe for adjustments and the instructions are scant. However, it was a most entertaining first attempt and there will be much more work done with this chuck!
Terry’s comments and workpieces
To do the geometric patterns shown in the photos below, both the offset and indexing capabilities of the chuck are utilised. To change the indexing position, the Axminster chuck has to be removed from the conventional four-jaw chuck, a machine screw loosened, and the small faceplate rotated to the desired position. When remounted this can result in very slight alignment changes. Similarly, loosening the machine screws to offset the main plate results in the faceplate ring loosening in the jaws and may result in a small realignment issue. I plan to investigate the use of a spacer on the four-jaw chuck to prevent the Axminster faceplate ring moving when the machine screws are loosened.